7 November<\/strong><\/h3>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/Kh1MPb2vO2s” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Bienvenida” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Welcome Session<\/b>
Fernando Vela Coss\u00edo, Javier Cenicacelaya and Alejandro Garc\u00eda Hermida<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.0.7″ background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_divider show_divider=”off” _builder_version=”4.0.7″ width=”300px”][\/et_pb_divider][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ text_text_color=”#cca930″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
FIRST SESSION: THE RECONSTRUCTION OF THE ARCHITECTURAL HERITAGE I<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/jwrzcyhJug4″ _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”RM” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
La Anastylosis de Medina Azahara<\/em><\/strong>
Rafael Manzano Martos<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/lOIe5stGxVk” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Disjecta membra: Regeneraci\u00f3n del entorno del Convento de la Coria en Trujillo<\/strong><\/em>
Aritz D\u00edez Oronoz and Imanol Iparraguirre Barbero<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/ej44SNEvTmA” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
E pluribus unum. Unidad y Multiplicidad en el Centro Hist\u00f3rico de Jaca<\/strong><\/em>
Abelardo Linares del Castillo Valero and Elena Jim\u00e9nez S\u00e1nchez<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/H8mfnJbtyEc” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Agua: propuesta de intervenci\u00f3n y m\u00e9todo proyectual en un conjunto patrimonial de Baza<\/em><\/b>
Estefan\u00eda Fern\u00e1ndez-Cid Fern\u00e1ndez-Vi\u00f1a, Xavier Espin\u00f3s Bermejo, Luc\u00eda Espin\u00f3s Bermejo and Rodrigo Toro S\u00e1nchez<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/aWk9GHzVutw” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”debate” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Debate after the First Session of The Reconstruction of Cultural Heritage International Seminar<\/strong><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_divider show_divider=”off” _builder_version=”4.0.7″ width=”300px”][\/et_pb_divider][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
SECOND SESSION: RECONSTRUCTING PLACES<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/CF7PkzgkaLE” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”LK” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
The end of hypocrisy. On the reconstruction of the Frankfurt Old Town houses<\/em><\/b>
Leon Krier<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/trNZi3OLEjs” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Poly” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” link_option_url=”Spoly” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Beyond Preservation: Towards an Architecture of Cultural Continuity<\/em><\/b>
Stefanos Polyzoides<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/kmmckXZYh8U” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Traditional architecture, reinforced concrete and geometry<\/strong><\/em>
Antonio Maria Braga and Alberto Castro Nunes<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” min_height=”350px” custom_padding=”||0px|||”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/qi8A4YcLVRQ” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
La Reconstrucci\u00f3n en Espa\u00f1a despu\u00e9s de la Guerra Civil<\/em><\/b>
Fernando Vela Coss\u00edo<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/KZwgzzP2u1E” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”debate” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Debate after the Second Session of The Reconstruction of Cultural Heritage International Seminar<\/strong><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”4.0.7″ background_color=”#eaeaea” background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_divider show_divider=”off” _builder_version=”4.0.9″ width=”300px”][\/et_pb_divider][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
8 November<\/strong><\/h3>\n\u00a0<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_divider show_divider=”off” _builder_version=”4.0.7″ width=”300px”][\/et_pb_divider][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
THIRD SESSION: TRADITIONAL BUILDING CRAFTS<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/Ue5r3vu3NZU” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
El Taller de Carpinter\u00eda del Centro de los Oficios de Le\u00f3n<\/em><\/b>
Ricardo Cambas and Agust\u00edn Castellanos<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/bIUw3MFmAnM” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
La Canter\u00eda en la Restauraci\u00f3n<\/strong>
<\/em>Valeriano Jaurrieta<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/hEVr_m8o6RQ” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Sustaining Traditional Building Crafts and Cultural Heritage in the United States<\/strong>
<\/em>Marjorie Hunt<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/ZZ6hAj-Tt_A” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Debate after the Third Session of The Reconstruction of Cultural Heritage International Seminar<\/strong><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Fila” _builder_version=”3.28″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_divider show_divider=”off” _builder_version=”4.0.7″ width=”300px”][\/et_pb_divider][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
FORTH SESSION: THE RECONSTRUCTION OF THE ARCHITECTURAL HERITAGE II<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/fzrhBo8cpC4″ _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
The Polish School of Conservation for the Reconstruction of Cultural Heritage<\/em><\/b>
Tomasz Jele\u0144ski<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/sucSo5oVYAc” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Leop” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Restauraci\u00f3n de una torre medieval en el Valle de Bazt\u00e1n, Navarra<\/em><\/b>
Leopoldo Gil Cornet<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/KGLF4Wvm3PE” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Ideolog\u00eda, ortodoxia y sinsentidos en el debate sobre el patrimonio<\/em><\/b>
David Rivera<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/3lBy2VPZbiU” _builder_version=”4.0.7″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
La Reconstrucci\u00f3n de la Ciudad Hist\u00f3rica Documentada<\/em>
<\/b>Jes\u00fas Garc\u00eda Calder\u00f3n<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
[et_pb_video src=”https:\/\/youtu.be\/i-U5WKoYaqY” _builder_version=”4.0.9″][\/et_pb_video]<\/p>\n
[\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.0.9″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Restoration Work on the Acropolis Monuments
<\/strong><\/em>Manolis Korres<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
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La reconstrucci\u00f3n del patrimonio hist\u00f3rico inmueble: experiencias y debate
<\/strong><\/em>Juan de Dios de la Hoz<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”||150px|||”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
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Debate after the Forth Session of The Reconstruction of Cultural Heritage International Seminar<\/strong><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
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Promoviendo la Nueva Construcci\u00f3n, Arquitectura y Urbanismo tradicionales en 2018
<\/em><\/b>Alejandro Garc\u00eda Hermida<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ admin_label=”Fila” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”]<\/p>\n
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Final Remarks on The Reconstruction of Cultural Heritage International Seminar<\/em><\/b>
Carol Wyant<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.3.2″ background_color=”rgba(204,169,48,0.2)”][et_pb_row _builder_version=”4.3.2″ saved_tabs=”all”][et_pb_column type=”4_4″ _builder_version=”4.3.2″][et_pb_text _builder_version=”4.9.0″]<\/p>\n
Other seminars<\/h2>\n
[\/et_pb_text][et_pb_blog fullwidth=”off” include_categories=”197″ use_manual_excerpt=”off” show_author=”off” show_categories=”off” show_excerpt=”off” show_pagination=”off” use_overlay=”on” hover_icon=”%%200%%” masonry_tile_background_color=”#ffffff” _builder_version=”4.9.0″][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
The Reconstruction of Cultural Heritage International Seminar 2018 ResultsEn \u00e9l se presentaron una amplia diversidad de proyectos, reflexiones, iniciativas y programas en torno a la reconstrucci\u00f3n de conjuntos urbanos, edificios o partes de edificios como una intervenci\u00f3n necesaria para su conservaci\u00f3n efectiva a largo plazo o para la recuperaci\u00f3n de su valor simb\u00f3lico, especialmente cuando […]<\/p>\n","protected":false},"author":1,"featured_media":8297,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[226,248,95,93],"tags":[],"class_list":["post-8296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-international-seminars-and-conferences-premio-rafael-manzano","category-publications","category-rafael-manzano-prize","category-research-and-dissemination"],"_links":{"self":[{"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/posts\/8296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/comments?post=8296"}],"version-history":[{"count":6,"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/posts\/8296\/revisions"}],"predecessor-version":[{"id":8341,"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/posts\/8296\/revisions\/8341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/media\/8297"}],"wp:attachment":[{"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/media?parent=8296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/categories?post=8296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intbauspain.com\/en\/wp-json\/wp\/v2\/tags?post=8296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}